If you are looking for the definitive overview of Patti Smith's legendary  career, the just released Legacy Recordings compilation Outside Society is not  it.
The closest thing out there to that sort of comprehensive retrospective of  Smith's groundbreaking work, complete with prerequisite rare tracks and  alternate takes, remains the Land (1975 - 2002) compilation — and that set  focuses mainly on her years with Arista Records.
However, as a brief introduction to Patti Smith, Outside Society works well  enough as a sampler. You might even call this album a kind of greatest hits set  from an artist who really didn't have any (save for "Because The Night," the  collaboration with Bruce Springsteen that remains her most famous song).
Outside Society (which takes its name from a lyric to her song "Rock And Roll  Nigger") is mostly notable because it draws equally from all phases of Patti  Smith's 35 years as a recording artist. It brings material from both the Arista  and Columbia Records eras together for the very first time on a single disc.
The only real complaint here, is that by following the sort of "greatest  hits" mentality that apparently went into the making of this collection (despite  the active participation of Patti Smith herself), Outside Society really only  skims the surface.
The way that longer, more expressive pieces like "Birdland" and "Land" (from  Patti Smith's brilliant 1975 debut album Horses), are glossed over in favor of  shorter, more radio ready songs is likely to be a disappointment for longtime  fans.
It is tone poems like these that helped make Patti Smith's reputation as punk  rock's original reigning queen of spoken word, stream of consciousness poetry in  the seventies.
Here, they are overlooked to focus on more traditionally structured rock  songs like "Because The Night" and "Summer Cannibals," as well as her cover  versions of songs like Kurt Cobain's "Smells Like Teen Spirit" and Roger  McGuinn's "So You Want To Be A Rock And Star." In that respect, Outside Society  really only presents one side of this multifaceted artist.
Even so, there is still a lot to like here. Outside Society covers all the  bases in terms of being a well rounded collection of the hits. From "Gloria" and  "Because The Night" to "Dancing Barefoot" and "People Have The Power," the song  selection does a great job of gathering her career highlights together on a  single disc.
Patti Smith's poetic talents do not go completely unnoticed here either. The  inclusion of songs like "Pissing In A River," "Free Money" and "Aint' It  Strange" accomplishes that trick nicely (if too briefly), as does her blazing  performance of "Rock And Roll Nigger" (which is thankfully unedited here).
Patti Smith's gift for interpretation is best showcased here with her version  of Cobain's "Teen Spirit," which is broken down into a minimalist dirge that is  simply spellbinding.
Longtime fans will also appreciate the inclusion of liner notes written by  Patti Smith herself, where she offers her own impressions on each of the  eighteen songs in this collection.
As a career defining anthology, Outside Society is anything but complete. For  that, fans would be far better served with Land, or by just picking up a copy of  Horses (still her best). But for first timers in search of a quick test drive,  you could do a lot worse than this.
 
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