Tuesday, December 11, 2012

Here Are The Six Most Fundamental Things To Learn About Playing Guitar

Regardless of the resources you use to learn to play guitar, it's important to know what there is to learn and how that affects what you want to do. Whether it's playing in a band, singing and playing or being a singer -songwriter. there are specific things to learn and specific skills to develop. Here's an overview of the six most fundamental things to learn.





1) Chords



The first thing that almost all guitar players learn is chords. A chord is played by holding down multiple notes simultaneously on the fingering hand. The opposite hand makes a chord sound by strumming it or finger picking it. There is nothing more fundamental than playing basic chords. 

The first 14 chords are E, A, D, G ,C, Em, Am, Dm, E7, A7, D7, G7, B7. C7. Typically, barre chords are learned next. Barres have an advantage because they can be moved to different keys. Their disadvantage is that they’re harder to play, at least initially.

The ability to play chords and switch them smoothly is the first requirement for playing alone or with a group. It immediately qualifies you for a band in the role of rhythm guitar. This job is an accompaniment job and does not have the attention given to the Lead guitar player but it is your quickest route to playing in a band!

2) Strums

This skill is part of the rhythm guitar role. All songs, besides having chords, have a strum that is responsible for the "feel" of the song. If you play the wrong strum with a song, something will sound off.

The strum helps keep the tempo steady and propels the music forward. Strumming captures the most primitive element of music – rhythm. That tendency to tap our feet when we hear music can often be traced to the strumming pattern of the guitar.

3) Finger Picking



Finger picking is an alternative to strumming. Like strumming, finger picking uses the non-fingering hand and produces sound from chords. Fingerpicking was most common in Folk music but it has certainly made its way into main stream contemporary music through singer – songwriters and country artists. James Taylor is an outstanding finger pick artist who has fused Folk, Country, Rock and Pop music into a seamless original form. His influence has been significant ever since the beginning of the Folk – Rock movement.



4) Scales

Scales are organized streams of notes that can be used to generate melody or improvisation. There are many kinds of scales to learn depending on the musical style you choose. The two most common contemporary scales are the Blues Scale and the Pentatonic Scale. The Blues Scale is used in the darker forms of Blues and in heavier Rock Music. The Pentatonic Scale is used in all things Southern: Southern Rock, brighter Blues, Country music and even Motown.

Beyond these scales, there are many more to learn if the music you play needs them. Santana used the Dorian Scale to great effect while Mark Knopfler of Dire Straits made a living from the Aeolian Scale.

5) Rhythm



Rhythm is one of the three primary components of music, It encompasses several aspects. On the one hand, rhythm is the duration of a note or a chord. It also includes tempo ie beats per second as measured by a metronome and the stability of the beat. Rhythm, as in tempo, can vary during a song. Some songs maintain a steady tempo from beginning to end. Other songs vary the tempo. Slowing down is called Ritardando and speeding up is called Acclerando. These are intentional musical effects and not the result of a guitar player not being able to keep steady time or rhythm. The ability to "keep time" is one of the most important skills a guitar player can develop.

6) Ear



The development of the ear brings your musical insides – out. Music is the only hearing art. As such, the ear acts as the intermediary between your musical ideas and the execution of these ideas. Solfeggio, the Italian art of sight singing has been used for centuries to develop musicianship. Ear training contributes to the ability to play what you hear. There are virtually unlimited applications of ear training from working songs out by ear to improvising to writing. The European tradition of ear training has been far more stringent than that of the United States.



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